
Do you hurry through a first draft, or are you conscious of flaws as they go down? Has that changed over time?
This really is an interesting question. I do believe that, for me, this particular aspect of writing has changed over time.
My children’s books are quite short at just under 600 words. This is the standard length for a picture book. They don’t require an awful lot of editing but I always read the proofs carefully and my publisher also goes through them. I’ve still found the odd error in them, but not enough to worry about. I have more issues with the pictures in the ebook that often seem to distort. It really bothers me when that happens.
My first longer children’s book, Silly Willy Goes to Cape Town, was also edited by my publisher and myself. I haven’t picked up many errors in it but it was only 33 000 words and my writing style has changed a lot since I wrote it. I still think it is a fun story but I have progressed a lot with showing and not telling as well as writing dialogue since I wrote this book in 2017.
My three most recent books have all been through a long editing process. The first one, While the Bombs Fell, was written and edited firstly by me, and then my mother had a go at it. It is her story and I wanted her to be happy with all the details so we went through it word-for-word three times. I had the most wonderful developmental edit of this book by Charli Mills. As a result of her advice, I turned the whole story around and added a lot of the historical elements to the book. Her advice about developing a timeline of the historical events and overlaying my mother’s life over it was excellent. I’ve subsequently developed timelines for both Through the Nethergate and my nearly completed novel, A Ghost and His Gold. The timeline for this latest novel is included in the book to help readers with the main events of the Anglo Boer War which is the main setting for this story.
Through the Nethergate was edited by me, developmentally edited by the talented Esther Chilton, who also gave me some fantastic advice and ideas, and then edited by my mother and my husband. I gave it another read before sending it to my publisher and she also read it and gave me changes. I haven’t found a lot of mistakes in this book either, although there are a few that slipped through.
A Ghost and His Gold started life as a short story of 5 000 words which grew to 30 000 words. I had this draft novella developmentally edited by Esther Chilton and a few of her comments triggered a series of new ideas. The book has swelled to 116 000 words. I sent the enlarged version back to Esther who undertook another developmental edit which helped me close out a few lose threads in the story line. I also changed the writing style for one section at her suggestion. I am pleased with the amended version and am grateful for the good advice I received. This book has subsequently been edited by my mom and my sister and I am now doing my final read before sending it to my publisher. It will get a further edit from Anne and she always finds things that need correcting.
Reading the above, I realise I go through five rounds of editing for each book. That is in addition to the editing I do as I go along. I am not a fast writer. I never churn out more than 1 500 words in one sitting and sometimes its as little as 700 words. I spend a lot of time researching and then reworking my writing for each paragraph so its as good as I can get it before I move on. Despite this careful editing as I go along, I always make changes after each chapter has “rested” for a few weeks.
I am happy to note that my developmental edits are far less extensive now than they were for my first book. I can say the same about my short stories which have only needed small changes and not big reworks.
I work very hard at ensuring I incorporate all the advice I’ve received from my developmental edits and from other people who kindly take the time to read and comment on my prompt writing and extracts, into my stories going forward.
This is for my books. I am not as good at editing my blog posts. Sigh! I try, but there is only so much time in a day and I spend at least two hours a week writing book reviews and eight to ten hours a week writing and editing. I also work a 35 to 40 hour week, and sometimes more if we are on a deadline, and I spend time with my boys. I also read a book a week and listen to two audio books a month.
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